Written by Louise Page

Thurs 24th - Sat 26th September & Mon 28th September - Sat 3rd October 1987

Directed by Nicola Scadding

Salonika 1978: On the beach sit and English mother and daughter. In a nearby war cemetery is the grave of the husband and father, a soldier with the British Expeditionary Force who died in 1918. Will this visit to Salonika help them to lay his ghost at last; or will the dead past hold its grip? And what of the future offered by others on the beach?

AuthorLouise Page

Louise Page (b 1955)

Playwright, novelist and journalist Louise Page was born in London, but moved to Sheffield as a young girl. She was educated at the University of Birmingham, where she studied Drama and Theatre Arts. In 1979 she became Yorkshire Television's Fellow in Drama and Television at the University of Sheffield. She was awarded the George Devine Award for her play 'Salonika', which was performed at the Royal Court Theatre Upstairs in London in 1982, and was appointed Resident Writer at the Royal Court Theatre (1982-3). She was Royal Literary Fund Fellow at Edge Hill University from 2004-2006.

Acknowledged as one of the most prominent English feminist playwrights of her generation, her work is notable for its frank treatment of issues such as personal and political ethics, sexual mores, personal relationships, and death and bereavement. Her play 'Tissue', in particular, broke a taboo when it was first staged in 1978 by addressing the topic of breast cancer. Page takes a broadly socialist stance: her plays of the 1980s, in particular, were highly critical of the exploitation of the working class, and tackled topical issues such as the Thatcherite values of success and the Falklands War. Some of her plays have been hailed for their imaginative staging and for her use of language, which ranges from the lyrical to the colloquial, the latter drawing particularly on speech patterns of northern England. She writes for both television and radio and worked for ten years on BBC Radio 4's long-running radio serial The Archers. She now runs Words4work with her husband, the writer Christopher Hawes, organising seminars and workshops to help businesses improve the standard of their written English.


'Salonika' explores the tormented relationship between the 84yr old Charlotte and her 63yr old daughter Enid. Theirs is a symbiotic relationship of love and hate held together by mutual need and loneliness. In the play, Charlotte has accompanied Enid from the North of England to Salonika to visit the grave of Charlotte's husband, Ben, long dead in the Great War. The two women contrast vividly; unlike Enid, a sad and bitter martyr to her mother's needs and whims, Charlotte is a creature of vitality, enthusiasms and winning humour. The action shifts back and forth between past and present, dream and reality. Charlotte's involvement with Leonard, an aging pensioner who loves her and has hitch-hiked down from England in search of her, precipitates the emotional upheaval that lies at the centre of the drama. First seen at the Royal Court in 1982, 'Salonika' won the prestigious George Devine Award

The Bench Production

Salonika poster image

This play was staged at Havant Arts Centre, East Street Havant - Bench Theatre's home since 1977.


CharlotteJanet Simpson
EnidRobbie Cattermole
BenMike Jones
LeonardTerry Cattermole
PeterAlan Jenkins


Director Nicola Scadding
Stage Manager Jo German
Assistant Stage Manager Pete Woodward
Lighting Jane Hemsley-Brown
Sound Vincent Adams
Poster Design Pete Woodward
Programme Paula Russell
Set Construction David Hemsley-Brown, John Valentine
Front of House John Valentine

Director's Notes

On the sands of Salonika, Louise Page creates a mysterious "other world". In this other world she knits together the mundane and the marvellous, the terrible and the beautiful, the ridiculous and the tragic. Out of solid, authentic reality she fashions a strange and haunting story. Five very ordinary people are caught up in the spell of this place. Here, for a brief hour, they live out their darkest nightmares and frailest dreams.
"And you'll dream too. Real dreams. So real that they exist. Sometimes so real you think they are memories"

Nicola Scadding

Programme Notes

The "Army of the Orient" that endured a monotonous and unglamourous war in Macedonia (1915-1918) was the "forgotten" army of World War I. Entrenched in the environs of Salonika, the army stagnated, unable to move and achieved nothing.

The British War Committee wrote off the campaign as an ineffectual sideshow. The British public, reading no dramatic headlines in the press, was convinced that there was no fighting at Salonika - that it was a pleasant relaxing backwater of the war. The troops knew otherwise. The war for them consisted of weeks of inactivity, cooped up in inhospitable terrain and under the strain of constantly watching and waiting for the enemy, followed by brief and inglorious skirmishes. Their greatest enemies were sheer boredom and disease. Ten times as many British soldiers entered hospital with malaria as with wounds sustained in action. On 16 October 1917, one-fifth of the total British force - 21,434 men - were hospitalised as malarial cases.

There was no hero's return for the veteran of Salonika. And there is no public memorial in Britain to the men who served there.


The NewsSue Wilkinson

Bench Theatre superb

If it's Tuesday it must be Athens - so today it must be Salonika. The package tour setting of Louise Page's play, performed by the Havant-Based Bench Theatre, is familiar. 'Salonika' is the story of a widowed mother and her sinisterly daughter holidaying in Greece. Into this, Louise Page has packed scenes of the waste of war, love, history and the generation gap.

The two women have not come for the sun, sea and sand - both want to lay to rest a ghost - that of a husband/father killed in the war. The mother's suitor Leonard arrives and a boy the two women meet on the beach becomes a member of the party. All four characters have questions they want answered by the dead man, and fears they want allayed - and the dead soldier has queries of his own.

The acting by the five-strong cast in a play which is both funny and sad, is superb. Robbie Cattermole is the lonely, shy spinster who sees her sprightly 84-year-old Mum, played by Janet Simpson, as a burden. Leonard, played by Terry Cattermole, is a smug divorcee. Peter Alan Jenkins, is the mouthpiece of the disillusioned cynical 1980s, while Ben, played by Mike Jones, is the spokesman of history. 'Salonika' can be seen at Havant Arts Centre, East Street, Havant until Saturday.

The News, 25th September 1987

Production Photographs