November 21st to 23rd and 26th to 30th
Directed by Zoë Chapman
Romeo & Juliet has a youthful energy and some of Shakespeare's most stunning language. For the past four centuries the universal themes of love, lust and family loyalty have appealed to audiences of all ages and all walks of life. Without a doubt it is one of the greatest, and most tragic, love stories ever told.
Love is supposed to conquer all, but in an unjust world nothing is quite so black and white.
On its first appearance in print, in 1597, Romeo and Juliet was described as “an excellent conceited tragedy” that had “been often (with great applause) played publicly”; its popularity is witnessed by the fact that this is a pirated version, put together from actors' memories as a way of cashing in on its success. A second printing, two years later, offered a greatly superior text apparently printed from Shakespeare's working papers. Probably he wrote it in 1594 or 1595.
The story was already well known, in Italian, French and English. Shakespeare owes most to Arthur Brooke's long poem The Tragical History of Romeo and Juliet (1562), which had already supplied hints for Two Gentlemen of Verona; he may also have looked at some of the other versions. In his address 'To the Reader', Brooke says that he has seen “the same argument lately set forth on stage with more commendation than I can look for”, but no earlier play survives.
Shakespeare's Prologue neatly sketches the plot of the two star-crossed lovers born of feuding families whose deaths “bury their parents' strife”; and the formal verse structure of the Prologue-a sonnet-is matched by the carefully patterned layout of the action. At the climax of the first scene, Prince Escalus stills a brawl between representatives of the houses of Montague (Romeo's family) and Capulet (Juliet's); at the end of Act 3, Scene 1, he passes judgement on another, more serious brawl, banishing Romeo for killing Juliet's cousin Tybalt after Tybalt had killed Romeo's friend and the Prince's kinsman, Mercutio; and at the end of Act 5, the Prince presides over the reconciliation of Montagues and Capulets.
Within this framework of public life Romeo and Juliet act out their brief tragedy: in the first act they meet and declare their love-in another sonnet; in the second they arrange to marry in secret; in the third, after Romeo's banishment, they consummate their marriage and part; in the fourth, Juliet drinks a sleeping draught prepared by Friar Laurence so that she may escape marriage to Paris and, after waking in the family tomb, run off with Romeo; in the fifth, after Romeo, believing her to be dead, has taken poison, she stabs herself to death.
The play's structural formality is offset by an astonishing fertility of linguistic invention, showing itself no less in the comic bawdiness of the servants, the Nurse, and (on a more sophisticated level) Mercutio than in the rapt and impassioned poetry of the lovers. Shakespeare's mastery over a wide range of verbal styles combines with his psychological perceptiveness to create a richer gallery of memorable characters than in any of his earlier plays; and his theatrical imagination compresses Brooke's leisurely narrative into a dramatic masterpiece.
Stanley Wells
General Editor, The Oxford Shakespeare
| Capulet | Jaspar Utley |
| Lady Capulet | Sue Dawes |
| Juliet | Jessica Grindley |
| Tybalt | Andrew Caple |
| Nurse | Ingrid Corrigan |
| Peter | Liam Penny |
| Sampson | Richard Le Moignan |
| Gregory | Martin McBride |
| Cousin Capulet | Darren Corps |
| Montague | Alan Welton |
| Lady Montague | Jenny Taylor |
| Romeo | Nathan Chapman |
| Benvolio | Paul Davies |
| Balthasar | Francine Huin-Wah |
| Abram | Vicky Hayter |
| Page | Ellie Dawes |
| Prince | Simon Walton |
| Mercutio | Mark Wakeman |
| Paris | David Penrose |
| Friar Laurence | John Scadding |
| Friar John | Martin McBride |
| Apothecary | Ellie Dawes |
| Chorus | Susie Borton |
| Watchmen | Richard Le Moignan, Martin McBride, Vicky Hayter |
| Servants | Heidi Brockhurst, Liam Penny |
| Backstage | Kymberleigh Anderson, Paula Gilfillan and Fiona Fairhurst |
| Costumes | Megan Utley, Lucy Haigh & Jenny Taylor |
| Props | Alice Corrigan & Ellie Dawes |
| Masks | Megan Day & the cast |
| Banners & Flags | Sue Dawes & Ellie Dawes |
| Lighting Designer | Jacquie Penrose |
| Lighting Operator | Derek Callam |
| Sound Operator | Sharman Callam |
Novice director Zoë Chapman coaxes some fine performances from her Bench
Theatre cast.
For example, if there were one person I would never have cast as Mercutio it
is Mark Wakeman. He is - to my eye - everything Mercutio isn't.
Completely wrong.
But Chapman has gone against my better judgement and proves that her better
judgement is superior to mine.
Wakeman's performance is, quite simply, superb. He is the most funny,
original and inventive Mercutio I can remember.
Nathan Chapman's Romeo is on pretty solid ground, too. The emotional
range is certainly there, but it would be good to see some more of the quieter
playing at times.
John Scadding's completely dotty Friar Lawrence gets the prize for
verse-speaking, though. Again I have never seen the character played like this - but it works.
Warm, funny and completely barking.
And mention for Jessica Grindley, who is apparently making her debut with the
mother of all parts for girls her age. She speaks Juliet's lines clearly
and with great understanding, but needs to learn the art of texture.
There is clearly life in the old amateur stage yet.
James George, Portsmouth News Friday 22nd November 2002.
Information about Shakespeare from the Stratford-Upon-Avon website - he was born and lived in the town.
The schoolshistory website features information about Shakespeare for children of all ages.
The BBC website includes information about Shakespeare as an author. He also features in their list of 100 greatest Britons.
Read what experts think some of Shakespeare's characters would really be like.
Many well known sayings and phrases originate from Shakespeare's plays.
The complete works (all of Shakespeare's plays) are now available online, including Romeo and Juliet.