Dario Fo is the 1997 Nobel Laureate in Literature
whose most famous works include the plays Accidental Death of an Anarchist and
Can't Pay? Won't Pay! (both previous Bench productions) He is also director, stage and costume
designer, and on occasion he even composes the music for his plays.
France Rame, his leading actress, has assisted in and contributed to the writing
of many of the plays they have produced in their 45 years of theatre together.
She has also assumed administrative and organizational responsibility for
the Fo-Rame Company.
Franca Rame
Franca Rame was born in Parabiago, a small town in the Province of Milan. That
she happened to be born there was pure chance: her family was performing in the
town at the time. Her father Domenico, her mother Emilia and her brother, along
with aunts, uncles, cousins and other actors and actresses hired on contract,
were all part of a travelling theatre troupe touring the towns and villages of
Lombardy and Piedmont.
The Rame family's ties to the theatre are very old. Since the late 17th century,
they have been actors, and puppet masters, as the occasion required. With
the arrival of the cinema they shifted from puppet theatre to real theatre,
enriched with all the "special effects" of the puppet theatre. The family's repertoire ranged from the biblical texts over Shakespeare to
Chekhov and Pirandello; from Niccodemi to the great l9th century historical
novels - especially those with a socialist or anticlerical bent.
Franca says she has always
felt at home on the stage because "I was born there: I was only
eight days old when I made my debut in my mother's arms [she played the new-born
son of Geneviève of Brabant] ... I didn't say much that evening! "
Dario Fo
Dario Fo was born on 26 March 1926 in San Giano, a small town on Lago Maggiore
in the province of Varese. His mother Pina Rota, was a woman of great imagination and talent
and his maternal grandfather was also a strong influence; the young Dario
spent childhood holidays at his farm in Lomellina.
Dario spent his childhood
moving from one town to another, as his father's postings were changed at the
whim of the railway authorities.
In 1940 he moved to Milan (commuting from Luino) to study at the Brera Art
Academy. After the war, he studied architecture at the Polytechnic but in
1945 he turned his attention to stage design and theatre décor and begun to
improvise monologues.
During his architecture studies and while working as decorator and assistant
architect, Dario entertained his friends with tales as tall as those he
heard in the lakeside taverns of his childhood. He later gave up
architecture in disgust at the level of corruption he found.
In the summer of 1950 Franco Parenti
invited Fo to join his theatre company after seeing him perform a satirical
version of the parable of Cain and Abel. While Fo was performing in Parenti's summer variety show
he saw a photograph of Franca Rame he sees at the home of some friends and was thunderstruck!
During the 1951-52 season Rame and Fo meet in person as they are involved in the
same production of "Sette giorni a Milano" by Spiller and Carosso.
Dario's courting technique is drastic: he pretends not to see Franca. After a
couple of weeks of this, she grabs him backstage, pushes him up against a wall
and gives him a passionate kiss. They are engaged shortly aftwards.
Collaboration
Franca and Dario married in Milan's Saint Ambrose Bascilica on
24 June 1954. From
this moment on, Franca was Fo's main collaborator behind the desk as well as on
the stage. Their company, the "Fo-Rame Company" was established
3 years later in Milan with Dario as playwright, actor,
director, stage- and costume designer and Franca as his main text collaborator
and leading actress as well as the company's administrator.
Their first tour
comprised four one-act farces, and was the first of many long tours around
Italy. The pair built a reputation for drama and sketches which told the
stories of real people and yet are often seen as radical and have been subjected
to may attempts at censorship. Strong socialist views led them to lend
high profile support to striking workers and often to clashes with the
authorities.
Female Parts
In March 1974 in a horrific attach a group of fascists kidnapped Franca and
subjected her to an ordeal of torture and rape supposedly to punish her and
Dario for their political
activism, in particular Franca's work in the prisons since 1970. She
returned to the stage two months later with a performance
entitled "Basta con i fascisti", monologues accompanied by a slide
show discussing the cultural and political presence of fascism within the Italian state.
In November of the same year Female Parts is performed for the first time.
Titled "Tutta casa, letto e
chiesa" the new show mixes the grotesque, comic and dramatic to
illustrate the situation of women today. For the first time Rame's name is
credited along with Fo's as the author and she performs them alone, and we
assume that these pieces were greatly influenced by her experiences. These
plays have subsequently been performed more than 3000 times around the world.
Dario Fo shortly aftward became Italy's most translated author,
published in more than 50 countries and in more than 30 languages.
Female
Parts was first performed in the UK by Franca at the Riverside Studios in London
in 1982, in Italian. Following rave reviews the English translation was
performed at the National by Yvonne Bryceland
at the National Theatre.
In October 1997 Dario Fo was awarded the Nobel Prize
in literature.
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The show consists of the following four monologues :
A Woman Alone: Angela Rubik, directed by Damon
A prisoner in her own home, a prisoner in her own life, a housewife finds
liberation through a journey of fear, farce and fumblings.
Medea: Sue Dawes, directed by Sam
A Medea for our times. This is a Medea abandoned and in despair, but who comes
to realise that she is a victim of centuries of male oppression rather than a
pawn in the hands of the Fate. Accordingly, her children must die in order to
break the chains of oppression.
Same Old Story: Robin Hall, directed by Damon
A woman bearing an unwanted child and an uncaring lover tells a scatologicial
children's story of a little girl with a foul-mouthed dolly. Sexual exploitation
and exploding engineers follow with girls everywhere telling "the same old
story".
Rise and Shine: Francine Huin-Wah, directed by Sam
You know the feeling. You're late. The baby needs feeding. You can't find your
keys. The baby needs changing. Last nights row is buzzing round your head. The
baby needs changing again. And then, the final straw....
Dario Fo is a Nobel Laureate in Literature who emulates the jesters of the
Middle Ages in scourging authority and upholding the dignity of the downtrodden.
Featuring explicit references to adult situations and containing strong
language and imagery these plays do not pull any punches but are gripping and
should not be missed.
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The Bench Production
Review Quality is hit and miss
Bench Theatre tackles this feminist piece with gusto. The result is an
entertaining - if somewhat patchy - evening's theatre-going, the four plays
within the play being of varying quality.
Woman Alone is a Pythonesque view of a woman trapped in a humdrum life.
Angela Rubick's delivery is machine gun although, on occasion, she seems
uncertain of the words. With this type of piece, care must be taken to balance
the reality of the speech with the unreality of the situation. It is here that
the director and actress do not quite pull it off.
Medea is the only one of the four plays with a much blacker edge. Sue Dawes
manages the dual characterisation well, with words firmly in place.
Same Old Story is undoubtedly the highlight of the evening. Robin Hall's
performance is truly hilarious and some of the best acting occurs in her tenure
of the stage. Watch out, particularly, for the small, frightened moment in the
clinic. Ridiculous in her indignity, terrified of the future. Nice.
In Rise and Shine, Francine Huin-Wah shows her strength as an actress and
tackles the manic comedy with skill.
James George (Portsmouth News, Friday, April 19th, 2002
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